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<item>
  <id>06095252</id>
  <dt>a</dt>
  <an>06095252</an>
  <augroup>
    <au>Lopes, Phil</au>
    <au>Urbano, Paulo</au>
  </augroup>
  <ti>The traveling percussionist.</ti>
  <so>Machado, Penousal (ed.) et al., Evolutionary and biologically inspired music, sound, art and design. First international conference, EvoMUSART 2012, M\'alaga, Spain, April 11--13, 2012. Proceedings. Berlin: Springer (ISBN 978-3-642-29141-8/pbk). Lecture Notes in Computer Science 7247, 165-175 (2012).</so>
  <py>2012</py>
  <pu>Berlin: Springer</pu>
  <lagroup>
    <la>EN</la>
  </lagroup>
  <ccgroup>
  </ccgroup>
  <utgroup>
    <ut>generative music</ut>
    <ut>state space search</ut>
    <ut>optimization</ut>
    <ut>sound morphing</ut>
  </utgroup>
  <cigroup>
  </cigroup>
  <ligroup>
    <li>doi:10.1007/978-3-642-29142-5_15</li>
  </ligroup>
  <abgroup>
    <ab>Summary: In this paper we introduce the concept of a progressive percussion graph as a musical space and the metaphor of composition as the musical expression of a traveling experience in that space. A Progressive Percussion Graph is a directed graph where each node is associated with a particular percussion rhythm and each connection corresponds to a rhythmic progression, generated through optimization processes, from one percussion rhythm to another, respecting the connections direction. We have explored different optimization techniques and different path-finding algorithms resulting in a rich and diverse musical output.</ab>
    <rv></rv>
  </abgroup>
</item>